Episode Number: | 403 |
Episode Title: | Take Me Out to the Ball Game |
Original Air Date: | Oct 9, 1999 |
Synopsis:
Chuck returns to Chicago for a visit and learns that a rookie pitcher for the Cubs is going to throw a no-hitter. Chuck inadvertently alters fate when he secures tickets to the game.
Note: This episode is the first one with the new theme music. Music is a version of The Chambers Brothers 1968 hit tune, "Time Has Come Today."
Kyle Chandler (as Gary Hobson) | |
Shanesia Williams (as Marissa Clark) |
Special Guest Starring:
Fisher Stevens | Chuck Fishman | |
Billie Worley: | Patrick Quinn |
Guest Starring:
Amaury Nolasco: | Pedro Mendoza | |
Kamar de los Reyes: | Ramon
Archiletta (Pedro's brother) |
|
Robert Miano: | Mr.
Escobar (head baddie) |
|
Alex (Alexandra) Meneses: | Lupeta (Pedro's cousin) |
Co-Starring:
Mike Shannon: | Andrews | |
Christian Stolte: | Bradley (scaffold guy) | |
Jim Zulevic: | Greg Bratcher (brat guy) | |
Miguel Nino: | Nellis |
Also appearing, but not credited:
Rob Gaughan | The "O" in SOSA | |
Other Characters: | Mr. Cravin (paint guy) | |
longhaired thug | ||
mustache thug | ||
bald thug | ||
cop at jail "Joe Friday" | ||
father at Wrigley | ||
son at Wrigley | ||
SOSA guys |
Developed by:
Bob Brush |
Created by:
Patrick Q Page | |
Vik Rubenfeld | |
Ian Abrams |
Produced by:
CBS Productions | |
Columbia
TriStar Television, a Sony Pictures Entertainment company |
|
All rights reserved |
Technical & Production Credits:
Theme by: | W G Snuffy Walden | ||
Note: Theme song changed to: | "Time
Has Come Today" by the Chambers Brothers |
||
Music by: | Joseph Stanley Williams | ||
Edited by: | Bud Friedgen | ||
Production Designer: | Gary Baugh | ||
Director of Photography: | Ross Berryman, A.C.S. | ||
Consulting Producers: | Dianne Messina Stanley | ||
James Stanley | |||
Producer: | Kyle Chandler | ||
Supervising Producer: | Randy Roberts | ||
Eric Tuchman | |||
Carla Kettner | |||
Produced by: | Loucas George | ||
Co-Executive Producer: | Alex Taub | ||
Gary Nelson | |||
Executive Producer: | Lillah McCarthy | ||
Executive Consultant: | Bob Brush | ||
Written by: | Sean Clark | ||
Directed by: | Reza Badiyl | ||
Executive Producer: | Jeff Melvoin | ||
Associate Producer: | Lisa I Vinnecour | ||
Kathryn Riordan | |||
Executive Story Editor: | Josh Appelbaum | ||
Andre Nemec | |||
Story Editor: | Doris Egan | ||
Jeff Pinkner | |||
Unit Production Manager: | Bob Rolsky | ||
1st Assistant Director: | Richard Lederer | ||
2nd Assistant Director: | Susan Prince | ||
Casting by: | Robert J Ulrich, CSA | ||
Eric Dawson, CSA | |||
Carol Kritzer, CSA | |||
Jane Alderman, CSA | |||
Costume Design: | Susan Kaufmann | ||
Camera Operator: | Jim Blanford | ||
Chief Lighting Technician: | Gino Crededio | ||
Key Grip: | John Robertson | ||
Location Manager: | Robin Agron-Breen | ||
Hair Stylist: | Pamela Milone | ||
Set Decorator: | Lisa Wolff | ||
Production Sound Mixer: | Curt Frisk | ||
Prop Master: | Bob Volpe | ||
Stunts Coordinator: | Rick Lefevour | ||
Transportation Coordinator: | Ted E Larkowski | ||
2nd 2nd Assistant Director: | Traci Lewis | ||
Production Coordinator: | Mary Jane Nolan Kelly | ||
Script Supervisor: | Alicia Accardo | ||
Supervising Sound Editor: | Jeremy Gordon | ||
Music Editor: | Carolyn J Bahr | ||
Re-recording Mixer: | Rusty Smith | ||
Bill Freesh | |||
Post Supervisor: | Marla K Bechtel | ||
Script Coordinator: | Elizabeth Hatrick | ||
Assistant Editor: | Philip Malamuth | ||
Film & Electronic Laboratory: | Laserpacific Media Corporation™ | ||
Presented in: | Dolby Surround where available | ||
Re-Recorded at: | Sony
Pictures Studios, Culver City, CA |
||
Intervalometer Shots by: | American Time-Lapse | ||
Main Titles Designed by: | Nina Saxon/New Wave Entertainment | ||
Copyright (c) 1999 | TriStar Television, Inc. | ||
CBS Worldwide Inc. | |||
Simulcast in HDTV: | Mitsubishi True HDTV™ |
TriStar Television Inc. and CBS Broadcasting Inc., are the authors of this film/motion picture for purposes of Article 15(2) of the Berne Convention and all national laws giving effect thereto.
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
The characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character or history of any person, living or dead, is entirely coincidental and unintentional.
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