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| Episode Number: | 410 |
| Episode Title: | Run, Gary, Run |
| Original Air Date: | Dec 18, 1999 |
Synopsis:
Gary must race against the clock to save Marissa from death. He fails in his attempt only to wake up to find that he's been given another chance to save his friend.
| Kyle Chandler (as Gary Hobson) | |
| Shanesia Williams (as Marissa Clark) |
Guest Starring:
| Rebekah Louise Smith: | Dr. Liz Kavanaugh | |
| Lorenzo Clemons: | Police Officer # 2-5-1 | |
| Other characters not represented: Cabbie, Suit Clerk, Marcus (the artist), Erlich (the biker), the pastry guy, George Musakis |
Co-Starring:
| Joe Foust: | Buckaroo (Postal Worker) | |
| Chet Nichols: | Parking Guy |
Developed by:
| Bob Brush |
Created by:
| Patrick Q Page | |
| Vik Rubenfeld | |
| Ian Abrams |
Produced by:
| CBS Productions | |
| Columbia
TriStar Television, a Sony Pictures Entertainment company |
|
| All rights reserved |
Technical & Production Credits:
| Theme by: | W G Snuffy Walden | ||
| Music by: | Bennett Salvay | ||
| Edited by: | Warren Bowman | ||
| Production Designer: | Gary Baugh | ||
| Director of Photography: | Ross Berryman, A.C.S. | ||
| Consulting Producers: | Dianne Messina Stanley | ||
| James Stanley | |||
| Producer: | Kyle Chandler | ||
| Supervising Producer: | Randy Roberts | ||
| Eric Tuchman | |||
| Carla Kettner | |||
| Produced by: | Loucas George | ||
| Co-Executive Producer: | Alex Taub | ||
| Gary Nelson | |||
| Executive Producer: | Lillah McCarthy | ||
| Executive Consultant: | Bob Brush | ||
| Written by: | Carla Kettner | ||
| Directed by: | Scott Paulin | ||
| Executive Producer: | Jeff Melvoin | ||
| Associate Producer: | Kathryn Riordan | ||
| Lisa I Vinnecour | |||
| Executive Story Editor: | Josh Appelbaum | ||
| Andre Nemec | |||
| Story Editor: | Doris Egan | ||
| Jeff Pinkner | |||
| Unit Production Manager: | Bob Rolsky | ||
| 1st Assistant Director: | Todd Pfeiffer | ||
| 2nd Assistant Director: | Susan Prince | ||
| Casting by: | Robert J Ulrich, CSA | ||
| Eric Dawson, CSA | |||
| Carol Kritzer, CSA | |||
| Jane Alderman, CSA | |||
| Costume Designer: | Robin McMullan | ||
| Camera Operator: | Jim Blanford | ||
| Chief Lighting Technician: | Gino Crededio | ||
| Key Grip: | John Robertson | ||
| Location Manager: | Mark Mamalakis | ||
| Hair Stylist: | Pamela Milone | ||
| Make-up: | Jamie Weiss | ||
| Production Sound Mixer: | Curt Frisk | ||
| Prop Master: | Bob Volpe | ||
| Special Effects Coordinator: | Guy Clayton | ||
| Stunt Coordinator: | Rick Lefevour | ||
| Transportation Coordinator: | Ted E Larkowski | ||
| Set Designer: | David Tennenbaum | ||
| 2nd 2nd Assistant Coordinator: | Traci Lewis | ||
| Production Coordinator: | Mary Jane Nolan Kelly | ||
| Script Supervisor: | Amy Holliday | ||
| Graphic Designer: | Andy Charles | ||
| Supervising Sound Editor: | Jeremy Gordon | ||
| Post Supervisor: | Marla K Bechtel | ||
| Re-recording Mixer: | Rusty Smith | ||
| Bill Freesh | |||
| Set Decorator: | Lisa Wolff | ||
| Construction Coordinator: | John McHugh | ||
| Assistant Editor: | Marta Evry | ||
| Film & Electronic Laboratory: | Laserpacific Media Corporation™ | ||
| Presented in: | Dolby Surround where available | ||
| Re-Recorded at: | Sony
Pictures Studios, Culver City, CA |
||
| Intervalometer Shots by: | American Time-Lapse | ||
| Main Titles Designed by: | Nina Saxon/New Wave Entertainment | ||
| Copyright (c) 1999 | TriStar Television, Inc. | ||
| CBS Worldwide Inc. | |||
| Simulcast in HDTV: | Mitsubishi-TV.com | ||
TriStar Television Inc. and CBS Broadcasting Inc., are the authors of this film/motion picture for purposes of Article 15(2) of the Berne Convention and all national laws giving effect thereto.
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution.
The characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character or history of any person, living or dead, is entirely coincidental and unintentional.
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